Chương 205: 78. Night Duty 2
Critical Astral:Lost · Mr. AnonMirror · 270 chương · ~37 phút đọc · Tạo 17/08/2026
Night Watch"Reporting — Trainee Kushima, Trainee Hoshino, entering the bridge." The door slid open and we both straightened our spines at the same instant. A second later, the light hit me, and I blinked. Not brightness. Cleanliness. The Yukikaze's bridge had nothing in common with the compartments below, where life got folded down to regulation size and packed into iron.
The ceiling was higher than I'd pictured, the room more open, and the full-width reinforced observation window had swallowed the night whole — the distant navigation lights and fleet ID beacons floating out there like cold phosphorescence in deep water. The overhead lights were dialed low.
What remained was a ring of cool white and pale blue working light around each station — nav displays, radar console, comms desk, central command chair — making the whole space feel less like a room and more like the quietly thinking interior of some very large machine. And inside that machine, the crew was almost no one. So few that my first thought was we'd walked into the wrong watch section. To the left, a man pulled off his headset and swiveled his chair toward us.
Early thirties, dark-complexioned, hair cut close, collar loosened a notch — carrying the specific, streamlined fatigue of someone who'd lived too long alongside gauges and static. He saw us and smiled first.
"Oh, excellent — our watch team's here." He hung the headset around his neck and raised a hand.
"Radar officer, Yukikaze. Lieutenant Manny. Manny's fine." Watch team. The first thing that surfaced in my head wasn't "night observation duty." It was something closer to a cheap posting where you stood on a rooftop in the wind, checking whether anything was creeping up on you. I hadn't quite finished reeling that deeply disrespectful thought back in when Captain Tobita came up from the lower deck of the bridge.
Only then did I notice the short stairwell behind the central command chair, leading down to another work section.
"Ah, you're here." Captain Tobita jerked a thumb back down the stairs, voice entirely too relaxed.
"That's the CIC. Usually nobody's down there. Best if you pray it stays that way."... Very Yukikaze of him. Translation: if it ever got busy down there, nobody was having a good night. Captain Tobita walked over to the central chair, that metal flight ID tag turning between his fingers as usual.
"Tonight, you two are holding the bridge."
"... Sorry?" That escaped me on pure reflex. Maki said nothing, but I could tell she wasn't entirely unsurprised, either. Her surprises just ran deeper than most people's — at most, a single flicker of her lashes. Captain Tobita waved a hand, unconcerned.
"Relax. Everything's set. Lights-out at 2200, you two rotate rest. Main watch points are all on this level; the lower one stays dark tonight. Standard night transit lane. Nothing dramatic expected." Why did a captain saying "nothing dramatic expected" sound like exactly the kind of thing that should make a person nervous? I looked around the bridge. The captain's chair, empty. Two nav displays lit at the helm station. Manny at the radar console on the left.
Someone had been at comms on the right, but was already packing away a headset. Two backup observation seats further back — empty. Not just quiet. Quiet enough to raise the hair on my arms.
"... Feels like there's almost nobody here," I said, entirely honestly. Captain Tobita scratched the back of his head.
"That's because we took losses last time and haven't had replacements cycle in yet." I dropped my voice without meaning to, like I was saying something the ship wasn't supposed to hear.
"There were casualties—""Shh." Maki cut across me almost instantly — not sharp, just short and fast, like she refused to let those words sit in the bridge air a second longer than necessary. I shut my mouth. But it was that reaction that made it land: there were things you could say freely in the berths, in the mess, in the eight-person bunk room — and couldn't say up here. Not superstition. This place was too good at keeping the people who weren't there physically present. The empty chairs. The missing hands.
The unfilled watch slots. All of it already spoke for itself. Captain Tobita gave no sign he'd heard me. He went on, even-keeled.
"Anyway. Personally, I'd like you two to pick this up fast. Good chance you'll get to run something real before this voyage is over." I was still processing two students holding the bridge when Maki asked the next, far more alarming question.
"What positions is the ship currently short?" I looked sideways at her.... That came out like a job application. Captain Tobita actually laughed — clean, self-mocking.
"Better question is which positions we have." He spun the tag once between his fingers.
"Captain, sonar, tactical officer. Everything else is short. Right now I'm doing the work of three people alone." Two seconds of silence. I quietly lit another invisible stick of incense for the Yukikaze. Short-handed like this, and she'd still cleared port without a stutter, carrying a full crew and a hundred-plus middle schoolers into space. That wasn't organizational management anymore. That was some kind of collective endurance operating past ordinary human limits.
Lieutenant Manny stood, picked up a hardbound manual with no business being that thick, and held it out.
"Night watch handbook. Procedures and basic ops, all in there. Don't panic — you'll only actually use about a third of it tonight. The other two-thirds are just there to scare you."
"Is that supposed to be reassuring?" I asked, taking it. Manny laughed once.
"No. But it's honest." I was starting to like him. The next five minutes were the Yukikaze's bridge crew delivering a compressed survival handover. The comms officer ran through the internal watch lines, PA switching, and emergency contact keys in one breath, fast enough to sound like he was reciting a debt schedule. Manny stood at the radar console, tapping the display with a pen. White for our own route baseline. Blue for friendly fleet IDs. Green for civilian and logistics traffic nearby. Yellow, pay attention.
Red, don't hesitate — call someone.
"Log heading, speed, attitude corrections, and relative formation distance every fifteen minutes," Manny said.
"Here's the proximity feed. Here's the main radar auto-filter. Don't jump at every blip — plenty of noise at night. If it's real, it'll ping three times, not just clear its throat once." The comms officer added, "If anyone calls up from below for a status check, use the format on page three. No improvising. The bridge hates improvising."
Captain Tobita leaned against the central chair, listening, looking entirely relaxed — not lazy-relaxed, more like a man who'd already confirmed every angle that mattered was covered, and could therefore afford to look like he wasn't trying. Finally he straightened up and tapped the manual.
"All right. One rule for tonight: the ship flies herself, the systems report themselves. Your job is just to make sure nothing wakes up before you do." That sounded uncomfortably like a captain's personal life philosophy. And then they actually left. No dramatic parting words. No "we're leaving it to you, kids" moment. Captain Tobita went down first. Manny and the comms officer packed up the handover logs.
And then it was just us — one manual thick enough to knock someone unconscious, and a bridge so quiet I could hear myself swallow. The door slid shut, and the air in the room felt like it thinned by one more layer. I stood there holding the manual, and it finally arrived — the thing I'd been too busy to register. This novel's true home is a different platform. Support the author by finding it there. It's really just me and Maki now. Ahead: the observation window and a sea of stars.
Underfoot: the Yukikaze's vibration, steady to the point of feeling deliberate. On both sides: the soft glow of instruments, nav screens, radar, comms lights. And beside me: Maki, freshly showered, hair long dry, somehow looking cleaner and calmer than usual. I drew a slow breath.
"... So we're really holding this." Maki already had the manual open. She didn't look up.
"Did you think Captain Tobita was reading you a bedtime story?"
"I wanted to confirm this wasn't some kind of Yukikaze-style joke."
"It isn't." She flipped pages fast — fast enough it looked more like scanning than reading. I stepped up to the central console, set the manual down, and leaned in beside her. I'd barely gotten my eyes on the page when she picked up the watch pen and started writing the night's rotation onto the clipboard.
"I take primary monitoring for the first half. You handle the watch log and cross-reference the handbook." She kept writing as she talked.
"After 2300, we swap — you take forward nav and relative formation, I catch up on the last thirty pages of anomaly procedure. We swap again at 0000." I stared at her. Two seconds passed.
"... How did you divide that up so fast?"
"Because they explained it clearly."
"I'm still processing the part where they actually left us here alone."
"Then start processing the work." She held the board out.
"Hoshino. Log the first watch time." I took it on reflex. Her tone wasn't harsh. Barely firm, even. But it carried a quality that made your hands move on their own. And the most annoying part was, she was right. For the next ten minutes, my life settled into a very Yukikaze state: my brain still muttering isn't this a lot, while my hands were already running the procedure. Log the time. Confirm heading. Check speed. Cross-check formation markers. Match the log format against page three.
Copy the handover warnings into the margin. I'd assumed Maki was just performing competence. I found out fast she wasn't. She actually knew how. Not veteran-bridge-crew level, but absolutely not someone touching this for the first time. The way she stood at the nav console was unselfconscious. The rhythm of her eyes moving between the main screen, the secondary display, the window, and the panel was too steady for a student. Her fingers hit the display toggle without hesitation.
When she confirmed the auto-corrections, her voice dropped lower and shorter than usual.
"Primary nav, nominal."
"Relative distance holding."
"No contact signals aft." She wasn't performing. She just knew what she was doing. I kept logging, and kept stealing glances at her, and had, with no dignity at all, the same realization again — the Maki standing on this bridge wasn't the Maki who traded barbs with me in the bunk room, or argued over food in the mess, or stood across from me in the showers. It wasn't that she wasn't sharp down there. Up here she had something harder to name — a sense of fit.
Like the moment she stepped in, she locked into the space. Like she already knew how every screen was meant to be read, how every report ought to land, how long a pause could run before it started sounding like panic. Like she hadn't come to see the bridge. She'd come to slot herself into the night watch. I wanted to write it off as Kushima family pedigree. After a few minutes, I knew that wasn't enough. This wasn't something you faked from having watched it a few times. There was habit in it. Training.
And something I hadn't really looked at directly before. Her professionalism. And the worst part was that I was seeing it this clearly for the first time on a half-empty bridge, with half the ship asleep.
"Hoshino."
"Hm?" I snapped back. She hadn't turned. She just tapped the clipboard in my hands.
"You added an extra decimal to the relative distance." I looked down. I had.
"... Do you have eyes in the back of your head?"
"No. You paused too long while writing."
"You can tell that?"
"I can tell you're distracted." I coughed and fixed the number.
"Sorry."
"Don't apologize to me," she said, even.
"Apologize to the ship. It's more useful."
"That's a heavy thing to say."
"The bridge is heavy." She said it so flatly it landed harder for it. Right. The bridge was heavy. Which meant all that competence wasn't just impressive, or something that knocked my pulse sideways. It was real, load-bearing capability. The kind that caught things before they fell. I stayed quiet a few seconds, then couldn't help it.
"You've done this before?" She finally turned to look at me. She probably knew I wasn't asking whether she'd skimmed the manual faster than me.
"A little," she said.
"How much is a little?"
"Enough for you."
"... You have a real gift for making people not want to keep talking to you."
"Then don't ask." I let two seconds pass, decided not to out-stubborn her.
"Fine. Different question." I lowered my voice and set the board aside.
"Where'd you learn?" This time she didn't answer right away. The bridge was quiet. The route marker crept forward on the main screen. Outside, a star field that looked frozen and wasn't, shifting every second in ways only the instruments tracked. The systems chimed now and then — small reminders that quiet here never meant stopped. After a few seconds, she said:"We have a mock bridge at home." I blinked.... Right. Very Kushima. But the second sentence was the one that made me actually look at her.
"I wasn't allowed to go many places when I was small," she said, eyes on the display, voice lower than usual.
"Rather than let me run loose, the people at home preferred to put me somewhere they could see me. And keep track." My pen stopped moving. She said it lightly — light enough to sound like some boring old fact that didn't deserve extra feeling. Too flat to be melodrama. Too flat to be a joke. Which was exactly why it stuck. Aki-senpai's line surfaced in my head: I've been a caged bird for a long time already.
So some things the Kushima family produced weren't just something the girls reached for when they were in a mood. They were the actual shape of things. I wanted to ask more, but looking at her profile, I knew it wasn't the time. Or maybe — the bridge wasn't a place for interrogating people. So all I said was: "You're good at this." Her lashes flicked.
"That doesn't qualify as good."
"It does to me." I meant it, chin resting on the back of my hand, watching the cold light and her profile.
"I already knew you had the grades, the brain, the temper, the terrible bedside manner, and the occasional Kushima-family way of helping people. This is different from that." She turned a fraction.
"This?"
"This..." I looked at her.
"This is more like someone who actually belongs on a bridge." The second it was out, I knew it was too direct. Too plain. Like I'd taken everything I'd been carefully not saying and dropped it all at once. But Maki just studied me for two seconds, then faced forward again.
"If you're only realizing that now, your read on people is worse than I thought."
"Did you have to stab me right there too?"
"I'm stating facts."
"Your facts are very unpleasant."
"You'll remember them anyway." I went quiet, then laughed — short, and real.... Right. I would. And not just remember. I noticed, with zero dignity, that the Maki on this bridge felt further away and, somehow, much clearer than the one I'd thought I knew. The quiet stretched. This time she broke it.
"Hoshino."
"Yeah?"
"I didn't bring you to the bridge on purpose." I blinked.
"... Oh." Strange. I hadn't actually been expecting the opposite, but hearing her say it first left something in my chest sag, just slightly. Then the next line came right behind it.
"But I didn't just let you tag along at random, either." I looked up. She tapped the edge of the log board with one finger.
"You read people loudly. You overthink. You guess wrong constantly." Flat as ever.
"But you notice things other people miss. That kind of person on a watch isn't necessarily useless." I stared at her. Three full seconds.
"... Are you complimenting me?"
"I'm allocating resources."
"Could you phrase that even slightly like a human being?"
"No." She didn't even pause. But maybe it was the light, maybe it was me staring too hard — the tips of her ears, under the bridge's cold light, looked the tiniest bit unnatural. Very small. Small enough that if I hadn't been looking at her this closely, I'd have missed it entirely. My mood lifted, all at once. Good. She wasn't a lost cause. Her compliments just had to clear three layers of armor and two blast doors before a drop finally leaked out.
I looked back at the log and said, quietly, "I'll take it as one, then." She didn't answer. She didn't deny it, either. Once the watch settled into a real rhythm, the work turned out finer-grained, more fragmented, and more patience-testing than I'd expected. A log entry every fifteen minutes. Route and relative-position checks every thirty. Matching the forward nav lights outside the window against the formation markers on-screen. Comms silent, but internal reports and sync signals couldn't be missed.
Any yellow flicker had to be read — noise, a formation tweak, or something actually closing in. In other words, almost none of it was exciting. And because it wasn't exciting, it was exactly the kind of thing you got wrong. Because you relax. You think, probably fine. You drift. Your eyes track the blips while your brain wanders off to wonder if you should've had a second bowl of rice at dinner. By the second log entry, I understood: the real test of a night watch wasn't whether you knew which button to press.
It was whether you could sit inside a world that looked perfectly stable and keep believing that stability needed someone actively holding it up. Maki was frighteningly good at that. Not tense over every number, not performing calm — she genuinely distributed her attention, where it needed to go and nowhere else.
A chime would sound and I'd still be flipping the manual to identify the category, and she'd already read the source and decided whether it was a formation correction or a supply ship's auto-adjustment astern. Once, the right-hand display flashed yellow. My chest tightened. She spoke before I'd finished inhaling.
"Not an anomaly. Transport Two, formation correction. No note needed." I looked up.
"How can you tell?"
"Position, timing, magnitude — all read like a standard correction." A pause.
"And if it were real, it wouldn't be this polite." That was such a Maki answer. Annoying. Effective. Sometime after 2300, the bridge hit its first real lull. Everything stable. The route line smooth on the main screen. Internal reports quiet. Formation spacing normal. The whole bridge settled into a narrow, disciplined stillness. I leaned against the side console, set the finished log down, and worked the stiffness out of my wrist.
Outside, cold starlight bounced faintly off the window, throwing back our silhouettes now and then — like we'd become part of the instrumentation ourselves. Maki stood forward, not fully seated, half-leaning against the rail, eyes still ahead. I looked at her and said, quietly, "I feel like I met you again today." She didn't turn.
"Which part?"
"Just..." I thought about it.
"Turns out you're not only a sharp mouth."
"If that was meant as a compliment, it failed."
"No — I mean it seriously." Chin on my hand, watching the cold light and her profile.
"I already knew you had the grades, the brain, the temper, the terrible bedside manner. That's not this." She turned a little more.
"This?"
"This feels more like someone who can actually stand on a bridge." The moment it was out, I knew how direct it sounded. But Maki just looked at me for two seconds, then faced forward again.
"You're only realizing that now, which tells me your read on people is usually off."
"You really have to stab me here too?"
"I'm stating facts."
"Your facts are extremely unpleasant."
"And you're remembering them anyway." I stayed quiet, then laughed despite myself.... Yeah. I was. The quiet returned. This time she was the one to break it.
"Hoshino. I didn't bring you here on purpose." I blinked.
"... Oh." Then: "But I didn't let you come along for no reason, either." She tapped my finished log.
"You're loud, you overthink, and you guess wrong a lot. But you notice things other people don't. That kind of person on a watch isn't useless."
"... Are you complimenting me?"
"I'm allocating resources."
"Could you say it like a human being, just once?"
"No." But under the cold light, the tips of her ears looked the tiniest bit unnatural. Very small. Small enough to miss, if I hadn't been looking that closely. Something in me lifted anyway. Good. She wasn't hopeless. Her compliments just needed three layers of armor and two blast doors to clear before anything leaked out.
"Then I'll take it as one," I said, quietly. She didn't answer. She didn't deny it, either. Outside, the star field spread on without end. The Yukikaze moved through the dark steadily, her low vibration rising from the deck into the soles of my boots, and from there into somewhere deeper. The bridge held nothing but the soft chime of the systems, the cold glow of the displays, and the two of us — not too far, not too close — each holding watch over the same ship's breathing.
And I thought: the strange thing about night watch wasn't the fatigue. Wasn't the cold. Wasn't even the fact that two students had been left holding a bridge. It was that once the whole ship went quiet, everything the noise usually buried had a way of finally rising to the surface.

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